Found 4707 Hypotheses across 471 Pages (0.006 seconds)
  1. "The incidence of orchestral unison and one beat orchestral rhythm decreases with complexity. . . . The two most complex forms of organization of orchestral rhythm, counterpoint and heterophony [are] strongly associated with complex modes of production" (138, 139).Lomax, Alan - Song as a measure of culture, 1968 - 4 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  2. "Cohesive singing . . . occurs . . . more frequently . . . in stable and 'non toppy' communities than elsewhere" (187) Note that 'toppy' communities are those "in which either a complex or elite caste system or many levels of extra-local governmental authority split the community."Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  3. "Overlap [between singing chorus and leader] is especially marked at the middle levels [of subsistence] whereas . . . explicit solo maintains a steady increase across the [subsistence] scale" (159).Lomax, Alan - Song as a measure of culture, 1968 - 2 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related Hypotheses  Cite 
  4. "There is a strong relationship between increase of layering [social stratification] and elaboration in song style" (153).Lomax, Alan - Song as a measure of culture, 1968 - 2 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related Hypotheses  Cite 
  5. "Solo singing . . . and diffuse choral performance . . . are likely to be found in cultures where unstable [work] teams are the rule" (184-185)Lomax, Alan - Folk song style and culture, 1968 - 3 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related Hypotheses  Cite 
  6. "A . . . strong relationship exists between the percentage of stable [work] teams found in a culture and the incidence of cohesive vocalizing per culture" (183)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related Hypotheses  Cite 
  7. Social complexity is positively associated with the following characteristics of song styles: wordiness, precision of articulation, explicitness, and narrow melodic intervals (128-137).Lomax, Alan - Song as a measure of culture, 1968 - 6 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related Hypotheses  Cite 
  8. "Increasing complexity tends to normalize voice qualities. . . . Nasalized tone and narrow . . . tone . . . [have a strong] negative relationship to good vocal blend" (193)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related Hypotheses  Cite 
  9. "Multi-parted and counterpoint rhythmic organization [of chorus] assume importance only in societies where women are major contributors to subsistence" (165)Lomax, Alan - Song as a measure of culture, 1968 - 3 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related Hypotheses  Cite 
  10. "The five levels of performance style relate to [a] scale of increasingly complex governmental types in a remarkably stepwise way" (159-160).Lomax, Alan - Song as a measure of culture, 1968 - 6 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related Hypotheses  Cite