Found 2605 Hypotheses across 261 Pages (0.005 seconds)
  1. "Vocal tension (narrow, nasal vocalizing) is far higher in non-complementary societies, where men perform all or most of the main subsistence tasks" (200).Lomax, Alan - Social solidarity, 1968 - 2 Variables

    This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

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  2. "Where feminine premarital sexual activity is severely restricted or santioned, narrowing and nasality, both signs of tension become prominent. . . . Relaxed vocalizing is relatively uncommon" (195-196)Lomax, Alan - Folk song style and culture, 1968 - 3 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  3. "Increasing complexity tends to normalize voice qualities. . . . Nasalized tone and narrow . . . tone . . . [have a strong] negative relationship to good vocal blend" (193)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  4. "A . . . strong relationship exists between the percentage of stable [work] teams found in a culture and the incidence of cohesive vocalizing per culture" (183)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  5. "Tonal cohesiveness and tonal relaxation . . . [and] polyphony in female choruses rise in direct proportion to the degree of feminine involvement in subsistence labor" (167-168)Lomax, Alan - Song as a measure of culture, 1968 - 4 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  6. "Solo singing . . . and diffuse choral performance . . . are likely to be found in cultures where unstable [work] teams are the rule" (184-185)Lomax, Alan - Folk song style and culture, 1968 - 3 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  7. "Multi-parted and counterpoint rhythmic organization [of chorus] assume importance only in societies where women are major contributors to subsistence" (165)Lomax, Alan - Song as a measure of culture, 1968 - 3 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  8. Stable settlements are more likely to sing together cohesively (188)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  9. "Game producers, irrigationists, and nomadic pastoralists seldom sing cohesively. Some incipient producers, collectors, and plow agriculturalists employ good blend some of the time. The gardeners . . . usually sing cohesively" (176)Lomax, Alan - Folk song style and culture, 1968 - 3 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  10. "Ayres found a significant relation between childhood training for compliance and cohesive singing and the contrastive correlation of assertiveness with individualized singing" (191)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related HypothesesCite