Found 3009 Hypotheses across 301 Pages (0.04 seconds)
  1. "Game producers, irrigationists, and nomadic pastoralists seldom sing cohesively. Some incipient producers, collectors, and plow agriculturalists employ good blend some of the time. The gardeners . . . usually sing cohesively" (176)Lomax, Alan - Folk song style and culture, 1968 - 3 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  2. "Increasing complexity tends to normalize voice qualities…nasalized tone and narrow…tone…[have a strong] negative relationship to good vocal blend" (193).Lomax, Alan - Social solidarity, 1968 - 2 Variables

    This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

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  3. "Where feminine premarital sexual activity is severely restricted or sanctioned, narrowing and nasality, both signs of tension, become prominent….Relaxed vocalizing is relatively uncommon" (195-196).Lomax, Alan - Social solidarity, 1968 - 3 Variables

    This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

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  4. "Vocal tension (narrow, nasal vocalizing) is far higher in non-complementary societies, where men perform all or most of the main subsistence tasks" (200).Lomax, Alan - Social solidarity, 1968 - 2 Variables

    This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

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  5. "Solo singing…and diffuse choral performance…are likely to be found in cultures where unstable [work] teams are the rule" (184-185).Lomax, Alan - Social solidarity, 1968 - 3 Variables

    This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

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  6. "Cohesive singing…occurs…more frequently…in stable societies and 'non-toppy' communities than elsewhere" (187).Lomax, Alan - Social solidarity, 1968 - 2 Variables

    This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

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  7. "Increasing complexity tends to normalize voice qualities. . . . Nasalized tone and narrow . . . tone . . . [have a strong] negative relationship to good vocal blend" (193)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related HypothesesCite
  8. "A…strong relationship exists between the percentage of stable [work] teams found in a culture and the incidence of cohesive vocalizing per culture" (183).Lomax, Alan - Social solidarity, 1968 - 2 Variables

    This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

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  9. Social complexity is positively associated with the following characteristics of song styles: wordiness, precision of articulation, explicitness, and narrow melodic intervals (128-137).Lomax, Alan - Song as a measure of culture, 1968 - 6 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  10. "Tonal cohesiveness and tonal relaxation . . . [and] polyphony in female choruses rise in direct proportion to the degree of feminine involvement in subsistence labor" (167-168)Lomax, Alan - Song as a measure of culture, 1968 - 4 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related HypothesesCite