How we recognize angry and happy emotion in people, places, and things

Representations of threatening facial features will use angular and diagonal patterns (88).

Test
Test Name	Support	Significance	Coefficient	Tail
Comparison of means	Supported	p<.001	`UNKNOWN`	`UNKNOWN`

Variables
Variable Name	Variable Type	OCM Term(s)
Angular/diagonal Patterns	Independent	Visual Arts, Representative Art
Facial Displays, Threatening	Dependent	Drives And Emotions

Main Author	Published Year	Hypothesis	Supported	Variables Tested
Aronoff, Joel	2006	Movements in classical ballet will use angular and diagonal spatial forms to convey threat and use rounded spatial forms to convey affection and warmth (93).	Supported	2	Cite Related Hypotheses More By Author
Aronoff, Joel	2006	In 17th-century Dutch art, threatening configurations will take meaning from diagonal and angular forms and happy and intimate configurations take meaning from curved forms (99).	Supported	2	Cite Related Hypotheses More By Author
Walker, Robert S.	2015	There is variability in residence patterns for hunter-gatherer and horticulturalist societies.	Supported	2	Cite Related Hypotheses More By Author
Rudmin, Floyd Webster	1996	Zelman's (1974), Simmons's (1937), Swanson's (1960/1966), and Murdock's (1967) measures of property will cross-correlate (i.e. be replicable).	Supported	14	Cite Related Hypotheses More By Author
Nimkoff, M. F.	1965	"…there is a relationship between residence patterns and division of labor by sex. Patrilocal patterns tend to be associated with economic dominance by males, matrilocal . . . by females" (42)	Supported	2	Cite Related Hypotheses More By Author