In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

This book investigates the evolution of military organizations and their activities. Hypotheses frequently relate military organizations to political variables. Data suggested that more politically centralized societies have more sophisticated military organizations which are more likely to be successful in conflict (though military sophistication does not appear to deter attack).

This study examines how social structure, political organization, and intersocietal relations may affect the incidence of internal warfare (between culturally similar political communities). Results show that in uncentralized political systems, fraternal interest groups and unauthorized raiding parties may increase the incidence of internal war.

A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

This study examines the influence of the "child-adult" conflict on the frequency of drunkenness in a culture. In particular, the author examines the socio-psychological factors that can induce a child-adult conflict, claiming that this conflict may be more common when mothers are the primary dispensers of rewards.