Found 1455 Hypotheses across 146 Pages (0.006 seconds)
  1. Frequency of internal warfare (between local communities within a unit of maximal political authority) will be negatively correlated with ritual art.Fullerton, Brady - Does Art Bring Us Together? An Empirical Approach to the Evolutionary Aesthe..., 2020 - 2 Variables

    In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

    Related HypothesesCite
  2. Lower conflict between communities of the same society will be correlated with more ritual art.Fullerton, Brady - Does Art Bring Us Together? An Empirical Approach to the Evolutionary Aesthe..., 2020 - 2 Variables

    In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

    Related HypothesesCite
  3. Lower frequency of internal war will be correlated with more ritual art.Fullerton, Brady - Does Art Bring Us Together? An Empirical Approach to the Evolutionary Aesthe..., 2020 - 2 Variables

    In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

    Related HypothesesCite
  4. Intercommunity marriage will be negatively correlated with ritual art.Fullerton, Brady - Does Art Bring Us Together? An Empirical Approach to the Evolutionary Aesthe..., 2020 - 2 Variables

    In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

    Related HypothesesCite
  5. Frequency of internal warfare involving non-territorially organized groups with a unit of maximal political authority will be positively correlated with ritual art.Fullerton, Brady - Does Art Bring Us Together? An Empirical Approach to the Evolutionary Aesthe..., 2020 - 2 Variables

    In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

    Related HypothesesCite
  6. "As predicted, simple local communities and simple states (i.e. a low level of political complexity) tended to be associated with a high frequency of drunkenness while complex communities and complex states were related to a lower frequency of drunkenness" (36)Davis, William N. - A cross-cultural study of drunkenness, 1964 - 3 Variables

    This study examines the influence of the "child-adult" conflict on the frequency of drunkenness in a culture. In particular, the author examines the socio-psychological factors that can induce a child-adult conflict, claiming that this conflict may be more common when mothers are the primary dispensers of rewards.

    Related HypothesesCite
  7. "Cohesive singing . . . occurs . . . more frequently . . . in stable and 'non toppy' communities than elsewhere" (187) Note that 'toppy' communities are those "in which either a complex or elite caste system or many levels of extra-local governmental authority split the community."Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related HypothesesCite
  8. "Cohesive singing…occurs…more frequently…in stable societies and 'non-toppy' communities than elsewhere" (187).Lomax, Alan - Social solidarity, 1968 - 2 Variables

    This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

    Related HypothesesCite
  9. Unsegmented societies will have a lower frequency of warfare than segmented societies (51).Kelly, Raymond C. - Warless societies and the origin of war, 2000 - 2 Variables

    This book examines the difference between warless and warlike societies and attempts to determine the point at which a society becomes warlike. The author suggests that differences between warless and warlike societies are mostly organizational and hypothesizes that "unsegmented" societies, or societies that have a weaker sense of group identity and cohesion, will be more likely to be warless than "segmented" societies. Several tests are presented. Results generally support the hypothesis.

    Related HypothesesCite
  10. Major world religions will have higher frequency and lower arousal than small-scale traditions (52).Atkinson, Quentin D. - The cultural morphospace of ritual form: examining modes of religiosity cros..., 2011 - 3 Variables

    This article examines the frequency and emotional arousal of ritual. Cross-cultural tests support the existence of two modes of religiosity: doctrinal, with high frequency and low emotionality of ritual, and imagistic, with low frequency and high emotionality of ritual. Both euphoric and dysphoric arousal are considered. Associations between these two modes of religiosity and other features of culture (such as group size and the use of agriculture) are examined.

    Related HypothesesCite